SELECTED
EXHIBITIONS
2008-
The Summer Eclectic" Salamanca Collection Hobart
-
"Encounters" Artrom Gallery Rome Italy
-
“Weld Echo" Long Gallery Hobart
-
“Humans in the moment” International Art Competition Rome Italy
(winner)
2007-
“Meeting Places” Michel Sourgnes Fine Arts Brisbane
-
Galeria Aniela Fine Art Gallery and Sculpture Park
-
"The Winter Eclectic" Salamanca Collection Hobart
-
“Nourish” curator Zara Stanhope, Heide Museum of Modern Art
2006-
Michel Sourgnes Fine Arts-preview of the 07 Major Exhibition
-
von Schroeder Fine Arts - preview of the 2007 Major Exhibition
2005-
Wrest Point Art Award - Highly Commended (acquired)
2004-
New Works -preview; von Schroeder Fine Arts
2003-
“A New Insight”; Michel Sourgnes Fine Arts Brisbane
-“A
New Insight”; von Schroeder Fine Arts
2002-
“Feminine Perspective”, Maria Perides Gallery Brisbane
-“Last
view” Chapman Gallery Canberra
2001-
“Sculpture by the sea”, Tasmania
-“Feminine
Perspective” von Schroeder Fine Arts,
Hobart
Summer Festival
2000-
“Contemplation” SOHO Galleries Sydney
-“Wrest
Point Art Award”, (By invitation)
1999-
“Disclosure” SOHO Galleries Sydney
1998-
Australian Contemporary Art Fair, Melbourne
-“Impassioned”
Dick Bett Gallery Hobart
-“Selected
Australian Sculpture” Swing Bridge Art Gallery
1997-
“Portia Geach Memorial Award”-finalist, Sherman Gallery Sydney
-“Skin
Deep” von Schroeder Fine Arts Tasmania
1996-
Australian Contemporary Art Fair Melbourne
-“In
Touch...” by invitation University of Tasmania
-“Religions,
Beliefs, and Other Matters” Swing Bridge Art Gallery Tas.
1995-
“The Web of the Magic” Solander Gallery Canberra
-“Journey
to the Sea - Retrospective” Swing Bridge Art Gallery Tas.
-“Tasmanian
Art Award” finalist at Eskleigh
-“Brief
Moments” Swing Bridge Art Gallery
1992-
“Sverdlovsk project of 89”, Award
1991-
“John Haywood Memorial” Long Gallery Hobart
1990
-“Tata Exhibition” Long Gallery Hobart
ARTIST'S STATEMENT
Human emotions, life scenarios, expectations,
disappointments, and paths taken are aspects being explored through the
human experience. The objective is for the spectator to be able to create
a personal link with a painting and see themselves as potential characters
within the environment presented.
Viewers are open to their own individual
interpretations. Perhaps they could see themselves or someone else in the
same place. The sense of space and place is a focus. However, the meaning
and intent is open to individual perception.
ON SCULPTING WOOD
Wood is an intriguing
medium. It can nurture simplicity or complexity in form. For me this comes
in aspects of the human context. I love to explore the possibilities on
offer from the intricacies of the wood.
